e2c wrote:It's not just the gestures, though - if a person knows the music, they can (I think) do lots of the accents he's doing, as well as the rolls. Maybe I need to just listen to the audio without watching the actual clip.
And... maybe it'll take me some time to warm up to his style... am not generally a big fan of some of the old-school ballet style playing, really. (Or maybe it's Conakry-style playing that I'm having problems with? Not sure!)
ETA: It comes across much better (for me) without the visuals. Some of the phrasing is really nice, while other parts of his solos are just kinda (to me) relentless - little space between the notes. And I can see how that works for the ballets; makes things very high-energy. (I guess my bias toward Drissa Kone is showing.)
Re. the duns here: love it!
e2c wrote:Duga - thanks so much for posting that vid + further explanation. Watching the dancers = it all makes sense now! I also see what you mean about the style being very particular to the place.
I'm surprised that your local dance teacher knows kawa; haven't met anyone from PA who does (AFAIK).
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