by archetypo » Wed Sep 21, 2011 3:15 am
When I first got specific instruction on slap technique from Famoudou Konate, back in 2000, he positioned his knuckles over & past the bevel - so the bevel lines up in that crease on the palm just below the knuckles. I used that style of slap fairly successfully for several years, until I got some even more specific instruction from Amadou Kienou (Burkina Faso) - he suggests doing the slap with the crease at the base of the fingers lined up along the bevel, and my experience of this technique is that for me, it's more precise and consistent. However, Famoudou has smallish hands, and when I've watched him play, he does have a lot of variation in his technique depending on what sound he's going for. I've also noticed a particular style in Haute Guinea in some villages around Hamana, where the hand is moved further in and held in a slightly more cupped position, almost leaning towards a conga slap. I've seen some djembefolas use this mostly for emphasis (Amara Kante for one) but some seem to use it most of the time.