bops wrote:What it boils down to is, when we play jembe, we're not just playing for ourselves. We're playing for others. The idea is to make people happy, in the simplest of terms. Whether it's dancers, the audience, your band-mates, or other people in your drum circle, playing jembe is about connecting with people.
A good jembefola strikes up a rapport with their audience. It's all part of the game. Over the years, I've found that an audience's perception of a jembe player's ability level is highly dependent on visual cues. Not just outside of Africa, but also in Africa. People want you to engage them while you play. Make eye contact, smile, whatever, but don't just roll your eyes back in your head and purse your lips. People are going to get bored pretty quickly.
If it detracts from the performance, don't do it!
bops wrote:What it boils down to is, when we play jembe, we're not just playing for ourselves. We're playing for others. The idea is to make people happy, in the simplest of terms. Whether it's dancers, the audience, your band-mates, or other people in your drum circle, playing jembe is about connecting with people.
Nodrog wrote:I think it would look a bit strange if a musician, especially a drummer was getting really into it and then found they had a constant smile on their face.
Nodrog wrote:I don't know enough to name examples but I can think of many videos on this site where drummers, balafola , kora players, etc, etc, have facial expressions which are a reflection of the effort and feel they are putting into playing their instrument. I can't see anyone objecting to that really.
bops wrote:playing jembe is about connecting with people.
bops wrote:But don't tense up and contract muscles in your head, neck or shoulders, it's not good for your playing.
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