e2c wrote:good sound is about technique (and experience), *not* about injuries to your hands. I think some people equate callouses with ability, and that's just silly.
Ideally, you shouldn't hurt after playing, even if playing intensively (4 hours or more) over several days. If something hurts, that is a hint that there is something you are not doing right.
Callouses are not a sign of ability, definitely. They simply are a sign (or rather, can be a sign) of how much someone plays. I had strong callouses early on, after about a year of playing. There wasn't a lot of ability, but a lot of callous because I was playing a lot. But I don't think that callouses are indication of injury. If someone plays a lot and tends to build callous, well, they end up with a lot of callous...
I have a feeling that a lot of callouses get started at drum and dance camps, where people are playing a zillion hours a day and not taking many breaks....
I think callous takes a little longer to form than the average three- or four-day camp. But I have definitely seen quite serious injuries at camps, especially among beginners. Everything from severe bruising to severe blisters (blood blisters as well as ordinary ones).
With experience, people both learn to pace themselves because they've learned the price they will pay if they over-do it. And, as people acquire more experience, their technique improves, so they can generate more volume with less effort.
I guess a period of pain is something that is part of the journey. I know that Tuza, who is considered a master, still suffers pain. I have often seen him wince and complain first thing in the morning after a long day's and night's drumming the previous day. And he often mentioned that the pain is part of playing djembe. I have no doubt that this is true for him, and I also have no doubt that his technique is excellent. Other people (including myself) rarely feel pain. I suspect, much like with callous, it varies for each individual.
Cheers,
Michi.