I liked Michi's statement from the older thread:
Even thinking of myself as a liberal person, I sometimes wish there were a law against that kind of thing. I guess that's the price of free speech...
Interesting enough, the guy knows about some correct microtiming: If you have a look at the mendiani part, his sangban phrase and the one djembe would do! But they don't know
where it is (concerning downbeat and dance).
It's very often Americans who act the way as Michi has shown in the other thread: talking the half video long and then comes out: nothing. I haven't found something like that in german by know: Our hippies and fooling "traditionalists" prefer to write silly things on their homepages, I think. And in France the niveau is better. Even someone who knows nothing, wouldn't talk that much and have a better sound there.
I don't really share the quite optimistic view expressed by many in the other thread. And (as you know) I don't see the Mamady style as the rescue of tradition at all. But what can be reached is that almost everywhere some people make good djembe music and care about where it comes from (or where it's origins come from) - a little nice interconnected world between all the rest. d;-)
I have a dr... okok, my own problem d;-)
greets from the "parallel world" of traditional hamana djembe and dundun music,
Daniyèri Kunatè