Hunting the ethical state: The benkadi movement of Cote d'Ivoire. 2011. Joseph Hellweg.
Based on field research in the early-mid ninties and updated to some more current political events this is pretty interesting stuff... Its quite academic reading though (no more so than Charry)
While its not about Dozo music (which would be nice) its deffinatly interesting to see how the traditional can adapt to the modern in a state of crisis.
He also explains a lot of words in julakan sometimes referenced against bamanakan
e.g. hakili (Mamadys latest album) varies among languages between moral intention, mind, intention, wisdom, hope, reflectionhttp://www.press.uchicago.edu/ucp/books ... 14491.html
In the 1990s a nationwide crime wave overtook Côte d’Ivoire. The Ivoirian police failed to control the situation, so a group of poor, politically marginalized, and mostly Muslim men took on the role of the people’s protectors as part of a movement they called Benkadi. These men were dozos—hunters skilled in ritual sacrifice—and they applied their hunting and occult expertise, along with the ethical principles implicit in both forms of knowledge, to the tracking and capturing of thieves. Meanwhile, as Benkadi emerged, so too did the ethnic, regional, and religious divisions that would culminate in Côte d’Ivoire’s 2002–07 rebellion.
Hunting the Ethical State reveals how dozos worked beyond these divisions to derive their new roles as enforcers of security from their ritual hunting ethos. Much as they used sorcery to shape-shift and outwit game, they now transformed into unofficial police, and their ritual networks became police bureaucracies. Though these Muslim and northern-descended men would later resist the state, Joseph Hellweg demonstrates how they briefly succeeded at making a place for themselves within it. Ultimately, Hellweg interprets Benkadi as a flawed but ingenious and thoroughly modern attempt by non-state actors to reform an African state