Blog Stats
74Total Entries
106Total Comments
Search Blogs

Feed Random Blog Entries
why i teach by bubudi on Sun Nov 01, 2009 4:04 am
i've been a teacher of djembe and dunun for 4 years, but i've been playing djembe 4 times that long. when people ask me why i didn't start earlier, i tell them that i never wanted to be an authority on djembe, but also i never knew what teaching would come to mean to me.

before i began teaching djembe i had taught esl and health topics. english is a language that opens up many avenues for people - migration, jobs, meeting a wider range of people on travels, etc. health topics, on the other hand, educate the public on health issues and options. often it's a means to create bridges so that people can seek services when they are needed.

when i teach the djembe, it's all those things and more. it's not so much whether they can play with the right technique and feel, but to open up avenues for self expression, working together in harmony, creating bridges between people, inspiring and motivating, improving people's self esteem, the list goes on...

lately i've been involved a little more with...

[ Continued ]

10 Comments Viewed 68251 times
Mini-Guinea San Diego, May 2010, day 6 by michi on Wed May 05, 2010 10:26 pm
Day 6 (Monday) of the camp.

Mamady has split the class into advanced and intermediate groups. There are eleven people (some not so advanced) in the advanced group.

The intermediates started on a rhythm called Deniya, composed by Mamady. Deniya means "youth" or "childhood". Mamady spoke quite a bit about his childhood, how he was taken away at age 12 to join the (not yet formed) Ballet Djoliba, and how he missed his family and village. Reading between the lines, there was a lot of pain and sadness in him in those days, and Mamady himself said that there is a large part of childhood that he missed out on. The rhythm is a 6/8 where the djembe accompaniments start on the last (3rd) micro-pulse before the 1 and the 3. Some of the intermediates where struggling mightily with feeling that right, endlessly pushing the first note onto the pulse...

The advanced group did the solo for Soliwulen. It's the same solo as on Mamady's volume 4 DVD. Soliwulen is a mask dance that is...

[ Continued ]

0 Comments Viewed 55354 times
a month into it.. by boumalicious on Tue May 10, 2011 12:21 am
The trick seems to be to ask the universe :) the calls are starting to come, and I'm holding fast to taking risks and saying no to what doesn't stir me..anyone with advice or suggestions, please feel free! That skin that I was putting back in is fitting pretty well so far..

1 Comment Viewed 34876 times
Blog? by Garvin on Mon Nov 16, 2009 7:03 pm
Nope...

1 Comment Viewed 20203 times
Mini-Guinea San Diego, May 2010, day 7 by michi on Wed May 05, 2010 10:51 pm
Day 7 (Tuesday) of the camp.

The intermediate group went over Deniya again and then started a new rhythm (6/8) called Sumalo. This rhythm was composed by Mamady and dates back to 1964. It was part of Ballet Djoliba's first repertoire, created on Kassa Island off the coast of Conakry. The ballet performance was called "The Mother". There was a king called Sumalo who was killed in a war. The king's son went to his mother and said "Give me my father's sword so I can go to the war and avenge his death." The son goes to fight in the war and gets killed as well. The performance piece was quite patriotic, reflecting the recent revolutionary spirit of the time. The woman who played the mother is called Fatadabo and now works in Mamady's household in Conakry.

Another interesting snippet about Ballet Djoliba... Of the 500 people who were originally selected from the regional competitions and moved to Kassa Island, 45 were selected to form what eventually became Ballet Djoliba....

[ Continued ]

0 Comments Viewed 56624 times

Who is online

Registered users: Baidu [Spider], Bing [Bot], Google [Bot], larsb, michi






Feedback

Translate this page using Google