A quick update on the Singapore camp...
I got there on the morning of the first session and met Mamady outside the venue. He looked a lot more lively and happy than he did last time I saw him at the end of April. He's smiling a lot and the spring is back in his step. Good to see!
About 48 people are attending the workshop. Not all of them will be there for the entire time--some people are leaving early, others are arriving late. So far, numbers seem to be stable in the high fourties.
Mamady did the usual thing of spending the first day with everyone together, to sort people into intermediate and advanced groups. He did four rhythms in the first two sessions: Liberte (4/4), Djansa, Garangedon, and Saranken. Saranken is one of Mamady's compositions. "Saran" is the name of a woman, and "ken" means "beautiful". Mamady explained that he wrote the rhythm in homage to everything that is beautiful in women. Not the beauty on the outside but, as Mamady put... [ Continued ]